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Metromix LA Blog

We're pathologically social. We're professional leisurists. We're burrito lovers, bar flies, art whores and music nerds. We dish the good dirt, and we'll risk a parking ticket for a cheap sample sale. Sometimes, we blog drunk.

Fashionina makes a bold move

Rare is the occasion I bust out my high school Spanish, but this calls for an, “¡Ay Dios mio!” Though no official announcement has been made, it’s suspected that former Elle Magazine fashion director and spicy Project Runway judge Nina Garcia will likely move on to a different position of even higher authority at Marie Claire very soon, possibly even before the next season of Project Runway is scheduled to premiere (likely sometime in  the fall of 2008).

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My relationship to glossy fashion magazines is a lot like that of a mother to her children—I have a clear favorite, but I have to pretend to love them all equally. I hate to admit it, but I thought Marie Claire went out of print years ago with McCall’s and Rosie Magazine. Seeing it on newsstands still gives me the chills, looking like a weird hybrid of Cosmopolitan and AARP Magazine. Still, I have hope that Auntie Nina will be able to take the boring old rag and infuse it with her vast knowledge and signature brand of sass—transforming from a dingy old poncho it into a high fashion serape.

—Marcos Luevanos

Categories: A L.A. Mode
May 09, 2008 8:31 PM | Permalink | Comments (0)

Moonshadows turning 'members only'?

As if the club scene weren't exclusive enough, these days it seems everyone wants to open "members only" venues for the privileged few. Much has been made about the Doheny—it costs close to $5,000 to join, and it's a surprising venture for Cedd Moses who's made a career out of opening casual-yet-hip bars like Golden Gopher. And there's more on the horizon from ABH to the Soho House to something I really wish I could talk about, but is still "off the record."

Even Glendale's rock 'n' roll bar the Scene has gotten in on the action. According to LAist, the bar's now offering memberships for $99-$350. Huh? And imagine my surprise when I learned that Malibu's Moonshadows was going "members only" on Sundays. I'll say it again: Huh? Part of Moonshadows' appeal—and definitely part of what makes it the best weekly party every summer—is the free-for-all atmosphere. (The other factor, of course, is getting to party on a beach patio into the sunset.) 



Well, good news! I just spoke to owner Andrea Bullo and despite the name "Members Only," the venue won't exclude people without membership cards. In fact, there's no actual membership to speak of. The new name just reflects the new strict door policy and an emphasis on bottle service. "I don't want to be too popular," says Bullo of his new vision, which is to be more St. Tropez, France and less Nikki Beach, Miami. "It's going to be very selective list." What won't change: DJ Mick Cole spinning deep house on the decks. Phew.
Categories: The Bar Code
May 09, 2008 4:37 PM | Permalink | Comments (0)

Listen to Santogold

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Sometimes, it’s OK to believe the hype. Case in point: Santogold.

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If you’ve been paying attention at all, it’s been nearly impossible to escape her name, if not her music. From a high-profile cameo on Mark Ronson’s stellar “Version” release to every buzz blog on the planet to no less than two Bud Light commercials, her right-on-time combination of razor-sharp songwriting and hard-earned industry acumen have her poised to be a genuine breakout artist in 2008.

And when I say “Hard earned,” I mean it. The Philly native Santi White has been fighting the good fight for years. There was her outstanding punk-wave band Stiffed, that despite boasting Bad Brains bassist Daryl Jennifer as producer and a clutch of killer tunes (check out the exceptional “What You Gon’ Do” from Stiffed’s “Sex Sells” EP), the band meandered in obscurity until they dissolved. White also famously had a large hand in the sadly overlooked debut album “How I Do” by the criminally underappreciated Res, a record that my man Touré said “sounds more like peak Seventies Pretenders than anyone in Black music history.” (White was even tapped to write for the new Ashlee Simpson CD. Don’t be mad: A girl’s gotta pay the bills!).

White’s reinvention into Santogold is savvy and even calculated, but for all the right reasons. Cozying up with the makers behind the new sound of young America’s dance floor (M.I.A., Switch, Diplo, Ronson), her current incarnation still retains quirky new wave energy and attitude. Her high-pitched yelp can sound uncannily similar to Gwen Stefani, but even that pop hit-maker would kill for a song as effortlessly perfect as “Lights Out.” She even does a convincing Siouxsie Sioux on “Starstruck.” Add extras like the lover’s rock reggae of “Your Voice” (a non-LP b-side being freely distributed on the interwebs) to big beat crowd-pleasers like “Creator” and “L.E.S. Artistes,” and we’re looking at one of the freshest releases in 2008 so far. Stay tuned…

—Scott T. Sterling 

May 09, 2008 10:17 AM | Permalink | Comments (0)

This Angeleno ain't so mild

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Hey NY, it's not a taco cart—it's a taco truck.

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That’s just the tip of the willful ignorance that’s displayed in Jennifer Steinhauer’s report of the taco truck resistance for The New York Times. As the venerable rag’s Los Angeles bureau chief, Ms. Steinhauer must have self-imposed a quota for epithets directed to the city of which she writes but in which she obviously wants no part.

How else to explain that starting from the headline “In Taco Truck Battle, Mild Angelenos Turn Hot” to the first 15 words in, “Los Angeles, loath to rally cohesively around a local cause, has joined hands around tortillas,” she manages to get in three potshots, aimed at stereotypical notions of the city’s indifference, its disunity, and its absurd obsessions—in this case, leading to a kumbaya session about a circle of masa.

She’s on a roll: “This a (sic) where you can pave over a freeway’s carpool lanes with toll roads, and few will complain. You can propose a 40-story skyrise in the center of Hollywood, and hardly anyone two miles to the west will take notice. You can squander public money, close down the ports and flatten landmarks, and many residents of this sprawling metropolis will simply yawn and move on.” Good one, Jen: we’re so laidback, we couldn’t give a crap. We’ve never heard that one before.

In drawing upon predictable stereotypes, Steinhauer presumes that food is not in itself political. While we stupid Angelenos fail to notice real issues like architectural blights on our skyline or the mismanagement of municipal funds, the food-obsessed have rallied around something as inconsequential as taco “carts.” Steinhauer at once minimizes the gravity of the issue and the accompanying call-to-arms while also failing to recognize that food plays a significant role in dispensing culture. And in a place as complex as L.A., food is the first, if not only, ambassador that enables communication between disparate and varied communities.

Yes, taco trucks are about as authentic or integral to Mexican cuisine as bacon-wrapped hot dogs from a mini cart. But like those hot dog carts—which are a far cry from the NYC street carts that Steinhauer must be used to—they are but one representation of the resourcefulness and fortitude that sustain L.A.’s immigrant communities.

What’s patently clear is that Ms. NYT-L.A.-bureau-chief has little experience with our city's street food. A truck is hardly the same as a cart—the difference is but too real for vendors who have yet to save up for one. Moreover, tacos have little to do with the Spaniards. Indeed, when it comes to writing about California, The New York Times would do well to reconsider its style convention: Please, please stop calling them Hispanics.

Jiyeon Yoo

Categories: 789
May 06, 2008 8:53 PM | Permalink | Comments (16)

'Sex' and the style editor

I’m not blogging about Miley Cyrus. You see, in a few weeks, something of much greater significance is occurring in the small world of things I actually care about and I have to conserve all of my hysterical energy for it. I hate to sound like a cliché as I write this witty, column-like blog—which is published in a metropolitan city on a weekly basis along with my photograph—but I’m beyond ecstatic about the May release of the Sex and the City movie.   

I wouldn’t say that Carrie Bradshaw is the reason I wanted to become a writer—at least not publicly. Still, the effect that the HBO series has had on me is undeniable, both in my writing style and my wardrobe choices—I wore zebra print pants to the office last week. I should really hate the show for propagating the mythic, glamorous life of a freelance writer—only to have that bubble popped almost as soon as I left my first job interview and my car had been towed—and yet, the love is still there. Even the episodes with character names and plotlines contrived solely to serve the episode’s theme are good. What’s that? That happens every episode? Nevertheless, I still adore it—even if it does make me a living, breathing, writing wannabe. Just call me Sarah Jessica Marcos.   

—Marcos Luevanos 

Categories: A L.A. Mode
May 05, 2008 2:21 PM | Permalink | Comments (0)

Ward on the street: romance and gym socks

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"Just a warning: wear something cute today...we're going to dodgeball tonight."

It's 8:16 a.m. on a Monday morning, and I've woken up to a text concerning my wardrobe.

My best girlfriend's new man is in a Dodegeball4Ever league and on selected Mondays, she takes a seat on the bleachers in a gym that smells like urine and Old Spice as dozens of grown men—and some scattered ladies—assault each other with their balls.

There's something to be said for watching on the sidelines, perched from above, evaluating the evolutionary ruggednesss of a potential mate. And if an un-ironic sweatband and the odor of a musk ox appeal to you, it may be a go.

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(Looking for love...and man musk?)

I'm still not sold though. No one looks good under the buzz of 100,000 collective watts of gymnasium lights, and one blow to the side of the face can destroy a man’s mojo in an instant. Summer romances are supposed to play out like black and white snapshots from an Estée Lauder ad: picnics in the tall grass, a lustful glance in a field of heather. New love isn't supposed to smell like socks.

But once the herds of ball lobbers are tired and bruised, a whistle is blown and the league heads over to El Cid, which hosts a post-game special of half-priced sangria to keep things drunk flirty in much lower light. So at 9:04 a.m. I text her back: "Mini dress, leggings and boots. No?" 

With one eyebrow dubiously raised,

Ward 

Categories: Ward on the Street
May 05, 2008 1:11 PM | Permalink | Comments (1)

When Doves Cry vs. Billie Jean

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DJ Spinna 

In terms of DJs, few are as deep as New York’s DJ Spinna. The guy’s CV is longer than your iTunes playlist, and his musical knowledge (not to mention record collection) is vast and kind of overwhelming.

Which is why it’s such a treat whenever he brings his celebrated “Soul Slam” party to L.A. Starting the events in 1999 (zing!), Spinna pits Prince and Michael Jackson in a heated dance war, going between the two on the turntables. With all of that funk and energy pouring out of the speakers, most party people within earshot are crammed onto floor and working up a serious sweat. Just to keep it interesting, he'll toss in bizarre cover versions and rare remixes that leave the hardcore music nerds happy.

Tonight is the first time the bash has been held at the Echoplex, and I couldn’t think of a better host. There should be enough room for Prince and MJ fans to peacefully coexist. Although given Prince’s recent brain-melting set at Coachella, the Purple One might have something of an unfair advantage. Party on, y’all.

—Scott T. Sterling

Categories: Blipster
May 02, 2008 9:05 AM | Permalink | Comments (1)

Developing: King King on fire?

I just heard from James Sinclair, owner of bar/clubs Element, L'Scorpion and La Cantina, that King King is on fire. There's no news on this anywhere. Does anyone know what's up? This comes a few days after Off Vine's fire on Sunday and just one day after Basque burned to the ground. WTF is going on in Hollywood? I can tell you this much: I'm sticking to the Westside party scene until the flames are extinguished. 

UPDATE: I just called Lucky Devils, located right by King King, and the woman who answered the phone said there had been a fire. She heard about it "about an hour" ago and doesn't know the status. Meanwhile, my blog buddy Zach Behrens at LAist called the LAFD and was told, "no one responding in that area"

—Alexandra Le Tellier

Categories: The Bar Code
May 01, 2008 6:20 PM | Permalink | Comments (0)

May Day! May Day!

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About an hour ago, I found myself asking aloud: "Does anyone hear techno, or am I stuck in a K-hole?"

At Metromix HQ, nestled on the 5th floor of the LA Times building, a throbbing beat was rattling the desks and contributing to a distressing case of Party Envy. 

We sent our intrepid staffer Sarah, also known as the Cute Office New Girl, outside with a camera to capture this lovely gallery of the May Day demonstration put on in part by American Apparel

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I think it may have been about immigration issues and stuff, or they may just be demanding that everyone wear more onesies.

Happy May Day peeps, and good luck getting through the downtown traffic.

 

Rock on,

Ward 

Categories: Ward on the Street
May 01, 2008 5:48 PM | Permalink | Comments (0)

Exclusive! Samantha Ronson and the Alliance open Crown Bar tonight

The boys behind the Dime and Winston's are gearing up to open Crown Bar tonight and, after an exclusive tour this morning, it looks like this will be the brightest jewel in their, well, crown. Starting with tonight's opening bash, the hotshot promoters behind the Alliance will team up with Samantha Ronson to command Wednesday nights. Given their record, expect every celebrity worth an Us Weekly headline.

That's not to say the other nights of the week won't lure in buzz-worthy power players. If you ask me, the owners are even more exciting! Andy Fiscella is an actor signed with Endeavor; Chris Huvane is the West Coast Editor of GQ; and Beau Flynn is a producer. (Their connections help explain how their other venues have managed to stay hip long past L.A.’s usual expiration date.) For this venture, the power trifecta has also brought on Matt Lavin and Charlie Lew from Hardball Productions, which often works with the cool kids at Flaunt magazine.

Unlike the the Dime and Winston's, which both have a neighborhood New York City vibe, Crown Bar is Hollywood glam meets 1940s gentleman's club. Gavin Bordin of Vantage Design made it so there are three distinct areas—lounge, dining area, lush patio—situated around a circular white marble bar. He also gave it a color palette that ranges from milk chocolate (the banquettes) to mahogany (the floors, tables) to amber (the lighting).

Speaking of palette: I got a one-on-one with the very handsome chef Chris Ennis (formerly of Vibrato) who put together a menu he calls "American Bistro Bar." I'm especially excited for the green papaya salad, but manager Emily Maclure tells me it's all about the bacon burger and the celery-and-basil tortellini. Click here for more on the menu from one of my fave foodies.

If you're anything like me, you've already stopped reading this post and are trying to score dinner reservations for tonight. Not so fast! A dinner reservation won't get you past the velvet rope on Wednesdays. For now, restaurant service is available on Monday, Tuesday, Thursday, Friday and Saturday. I should also mention that Crown Bar will open at 5 p.m. on those nights for the nearby folks at Quixote Studios and the Lot who're bound to make this their new after-work hangout. How's that for a reason to rush out of work? I, on the other hand, work later hours and will be rushing out more often to catch Michelle Pesce, honestly my favorite DJ in the whole city.

Crown Bar just a few blocks away from Winston's on the same Santa Monica Boulevard stretch east of Fairfax, west of La Brea. It's right across the street from Trader Joe's. (No, this is not their logo.)


—Alexandra Le Tellier

Categories: The Bar Code
April 30, 2008 2:16 PM | Permalink | Comments (1)

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